giant sand valley of rain rapidshare downloads

When not on the road, he lives with his family – two kids in school, another grown and on her own – in an old barrio in downtown Tucson, Arizona. He was born Octoin Pennsylvania – to which only a grey-tinged beard attests – and moved to the desert as a young man in the mid 1970s. Nowadays, other artists get compared to Gelb. In his early years there had been comparisons to artists along the paradoxical lines of Neil Young, David Byrne, Bob Dylan and Captain Beefheart, comparisons that all fit clumsily. He weaves impressionistic imagery into personal narrative and indulges listeners in expansive observations of the world. He sings like a gruff angel, a town crier tapping you on the shoulder, reminding you that the world need not be seen in the conventional ways to which we revert when the world goes blurry. Guitar and piano are his weapons of tumult. In three decades he’s managed to mash elements of rock, country, blues, punk, garage, lo-fi, jazz, gospel, avant-garde noise and flamenco gypsy music. His summer-sun squint turns into a twinkle when he finally asks his questioner, ‘What do you think of it?’. When confronted with such accolades, he clears his throat, amused and a little embarrassed, and he ponders. Howe Gelb long has been saddled with such titles as ‘godfather of alt-country’ and ‘elder ambassador of desert rock’. Some of those might even fit if you shoehorned them into context.

How do you write about a musician who has spent more than 30 years defying musical conventions? You could trot out all the cliche rock-critic terms: seminal, hyperbole, incendiary, eponymous, masterful, achingly poignant, priceless, alt-country, old-school, outlaw.

Giant sand valley of rain rapidshare downloads